Davita Miles
Terra Vita
Hand-formed sculptures shaped from wild-harvested clay.An exploration of resilience, femininity, and the stories our bodies carry.

My story
The beginning
I never set out to become a sculptor.The work began during a season of healing. After being diagnosed with breast cancer, I found myself returning to the earth ~ gathering wild clay from the bottom of the lake of our family propertyOne day, as I shaped the clay in my hands, a woman emerged.She was me.That first sculpture became the beginning of everything that followed.I don't believe my diagnosis created this work; I believe it simply revealed what had always lived within me ~ a desire to honour women’s bodies and the beauty found in motherhood, healing, and seasons of transformation.Each piece is hand-built from wild-harvested clay and explores resilience, femininity, and the stories our bodies carry. No two are alike. I embrace the marks, cracks, and textures left by the making process ~ they are reminders that beauty is often found in the imperfection
TERRA VITA OFFERING

Each year, I reserve space to create a small number of sculptures for women navigating breast cancer. If this speaks to you and cost is a barrier, please reach out. If I have availability, I would be honoured to create a piece especially for you, inspired by your own story
The process
Wild clay
Every sculpture begins with clay gathered from our family’s property on Vancouver Island.The rich blue clay is collected from the lakebed, the green clay from the shoreline, and the warm brown clay from the creek.
The wild clay used in my work is gathered by hand on the traditional and unceded territories of the Hupačasath and Tseshaht First Nations, with deep respect for the land and waters from which it comes.I spend days harvesting, cleaning, and preparing it before it is ready to be shaped by hand.
Each sculpture is individually charcoal pit fired in a small outdoor kiln at my home.This process was never taught to me. From the very beginning, it simply felt intuitive. Through patience, curiosity, and a deep connection to the earth, I slowly found my own way of working, allowing each piece to emerge at its own pace.Every sculpture carries a small piece of the landscape it came from


New collection
NACRE
Inspired by nacre ~ the luminous, iridescent interior of a shell
Each sculpture is formed by hand and finished with terra sigillata infused with mica, an ancient pottery technique that uses a refined clay slip to create a soft, luminous surface.This collection celebrates resilience, femininity, and the strength found beneath the surface.Available works can be found at Tofino Gallery of Contemporary Art.

LITTORALNamed for the place where land meets waterWild-harvested clay, terra sigillata, and charcoal pit fired, resting on a river stone.
9 x 5 x 4
$ 700

ORIGIN
The beginning. The source. Where
everything starts
Wild-harvested clay, terra sigillata
and charcoal pit fired
7 × 3 × 2 in
$ 625 CAN

THE NEREIDSNamed for the female spirits of the sea
Wild-harvested clay, terra sigillata and charcoal pit fired
7 x 3 x 2 in
7 x 3 x 2 in
$ 950 for the pair

AUREATE
Golden. Luminous.Wild-harvested clay, terra sigillata and charcoal pit fired
11 x 8 x 11 in
$ 700

LUMINOUSInspired by nacre ~ the luminous, iridescent interior of a shell.
Wild-harvested clay, terra sigillata, and charcoal pit fired
8x 9 in
$ 700

Terra
earth, left rawWild-harvested clay
11 x 8 x 11 in
SOLD

Photography by Olivia Van Dyke and Lindsay Thicke






























